Friday, 14 March 2014

Have you seen...the Set of Deadly Playing Cards?

The Duchess; seated in her bed, while Death pulls her blanket at the r end; another skeleton stands next and plays the violin; first published with text in Les simulachres & historiees faces de la mort, avtant elegamment pourtraictes, que artificiellement imaginées ..., Lyon, M. and G. Trechsel (for Jean and François Frellon), 1538 (8°); this impression is part of the so called proofs, a set without text, probably published by M. Trechsel, Lyon, 1526.  c. 1526
Woodcut
Hans Holbein the Younger, The Duchess, The Dance of Death Series, c.1526, British Museum, London

These cards are quite intriguing but I don’t think you would want to play ‘snap’ with them!  Here, a skeleton with flowing locks pulls a blanket from a startled woman who sits up in bed, whilst another skeleton, half in shadow, plays a violin. It is a macabre little scene and represents the death of the woman, a Duchess, when she least expects it.  The skeleton personifies Death who is there to escort her from life.  

Hans Holbein the Younger designed this illustration along with forty-one others, making a complete set [1] called The Dance of Death which now resides in the British Museum. They are actually smaller than standard size playing cards at 6.4 x 4.9 cm and although their original purpose is unknown [2], it has been suggested that images like these were intended to teach moral principles [3].

Another card shows Death removing a man’s valuables before removing the Rich Man himself. On the table a candle has just burnt down indicating the snuffing out of life.  The moral can be clearly seen: the hoarding of wealth and the attempt to secure them behind iron bars and strong walls are no defence against death.

Hans Holbein the Younger, The Rich Man, c.1526, The British Museum, London

The intricate detail, the delicate lines and precision cutting that went into each woodcut is truly incredible.  Holbein designed the images, but another craftsman, Hans Lutzelburger, actually cut the wood to create them.  It may be his signature, HL, that we see on the bottom left of the Duchess picture, carved into the base of the bed [4].

These images were often copied at the time in stained glass windows, murals, carvings and printed books.  We can also see many references in much later works, such as Henry Wallis’ Chatterton, where the smoke of the candle indicates the passing of life from the man on the bed.

Henry Wallis, Chatterton, 1856, Tate Britain, London

Part of this strangely beautiful and intriguing set of woodcuts can be seen in the current exhibition at the National Gallery, Strange Beauty which finishes on 11th May this year.  If you get a chance, go and examine these tiny works of art for yourself.

Alison Barker

Coming next: Have you seen...a Small Sign of Peace?



[1] William M. Ivins, Jr.Source: The Metropolitan Museum of Art Bulletin, Vol. 14, No. 11 (Nov., 1919), pp. 231- 235, Hans Holbein’s Dance of Death, p.231
[2] Ibid p.232
[4] William M. Ivins, Jr., 1919,  Hans Holbein’s Dance of Death, p.231



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